STEPsThe STEPs Program is a 5-semester program for faculty in higher education to make the transition from the traditional knowledge technologies to the new. The program takes faculty and their departments through a transition leading to institutionalized changes. The individual and departmental transition process is coordinated with the institution-wide process of transition around technology. STEPs is a program for mainstream faculty that takes into account differences between "early adopters" or "pioneers" and mainstream faculty. The steps, listed below, should be seen as heuristic (scaffolding), not as prescriptive. STEPs is a powerful statement about the necessarily experimental nature of any pedagogical change that is so sweeping and profound.
The Background for STEPs
STEPs Overview
Semester One: Discovering Your Ecology
Semester Two: Your First Solo Flight
Semester Three: What Went Right?
Semester Four: The Second Attempt
Semester Five: Telling the World
The Historical Moment
In a time of revolutionary change in the knowledge-making processes in our culture,
faculty development must itself take on a new role, not of helping faculty improve their
performance in the status quo, but of empowering them to re-create a new order. It must
also look not at the individual faculty member as the only target for change, but at the
entire ecology of teaching and learning surrounding that individual faculty member.
Individual faculty members cannot be expected, on their own, to go off quixotically
tilting at the windmills of the established order on campus, assuming the entire risk of
revolutionary change in their teaching approach, and with no reward or compensation.
STEPs describes the systematic and coordinated change process that faculty development agents on a campus--be they traditional faculty development central offices, faculty development people within departments, or academic technology offices--must support.
A Commonly-Used Heuristic for Change
Contemplating change, we humans often balk but have learned to follow various patterns to
help us accommodate to change. But, often, formally or informally, we follow the following
pattern:
Whether we call this process the academic research model, "trial and error," the scientific method, decision science, the writing process, or the problem-solving process, it's a process for change--with variations--that's common. We've modeled the STEPs program on it, and believe it can be useful and effective when faculty contemplate the new technologies and how to use them in their teaching.
Those who innovate in education often use this method for introducing interventions into the established teaching paradigm. Our question, as we consider information technology, is how to use this method for totally altering that paradigm.
Are Faculty Development Offices Ready to Support Sweeping Change?
While individual faculty members may be encouraged through a faculty development office on campus to innovate, and that office may support faculty in the empirical approach we've just described, faculty development offices may not be prepared to adopt a generalized, across-the boards, method to help faculty revolutionize the established teaching paradigm. Indeed, faculty development might be seen as a conservative effort to strengthen and thus retain the status quo.
Generally speaking, faculty development is aimed to improve an individual's capabilities in a special area of the stable teaching paradigm: scholarship, or proficiency in a teaching method such as the lecture or collaborative approaches, or methods of evaluation such as the portfolio approach to evaluation. Faculty development is a way to help teachers do what we've always done better. It has traditionally not been grounded in a discipline, nor organized around epistemological principles meaning that we have not always considered the construction of knowledge itself when considering how we introduce innovative practices to faculty.
Instead of basing faculty development on a foundation that considers, for example, the social construction of knowledge, more commonly found foundations might be cognitive, developmental, or educational psychology. Traditional faculty development ranges from yearly dispersion of faculty innovation funds to offering programs year-around to help teachers gain perspective on good teaching approaches.
Thus, faculty development, as it exists today, would not be likely to adopt a full process of change as we have depicted in the STEPs model.
The Time Period Needed for Sweeping Change
The five semesters of the STEPs program represents the minimal time period we have found necessary for most faculty to begin to adapt to a new pedagogical paradigm in almost any field. In most fields in higher education, since content has been primary, and pedagogy an unexamined given, the pedagogical focus in STEPs may seem unfamiliar and unwelcome to faculty members. We are inviting teachers to become more reflective and to examine practices and assumptions which previously have been somewhat transparent, and we're encouraging, through the STEPs process, that they make those pedagogies visible and consider them seriously.
The STEPs program arises from a faculty viewpoint, and it is grounded thoroughly in the experience of teaching in higher education. We propose STEPs as prompts for coordinated curricular change since it has implications not only for faculty, but for a re-conceptualized faculty development model.
STEPs: A Strategy for
Technologically Enlightened Pedagogies
Below are questions and guidelines used to re-design "courses of study." One of
the major lessons of these steps is that change cannot occur overnight. Don't expect it,
unless you are an unusual innovator. In our experience, faculty need at least a couple of
years to shift from current traditional teaching approaches to approaches more appropriate
to electronic technologies.
| The Five Semesters of the STEPs Program | |
|---|---|
| Semester 1. | Discovering your ecology. Developing questions and hypotheses, and a research design; an audit of the current situation; |
| Semester 2. | Your first solo flight. Conducting a pilot study (your first semester of using the new technologies); |
| Semester 3. | What went right? Analyzing the pilot and re-designing the course; assessments and evaluation; |
| Semester 4. | The second attempt. Revisioning. Teaching the experimental course with new technologies; |
| Semester 5. | Telling the world. Analyzing data, drawing conclusions, publishing your results. |
In each semester, administration and faculty have to coordinate with support services on campus, creating new kinds of support.
We are not expecting faculty to become research scientists, of course, although we are advocating teacher research. On the other hand, the classic research paradigm is very useful to follow for these reasons:
it has a proven track record as a useful model for change it makes a strong statement about the experimental nature of the changes around technology it makes a valid claim for a reasonable length of time for getting the change process underway it communicates clearly to authorities on campus that the changes contemplated are beyond the normal curricular adjustments: there are both support services and faculty development costs that need to become part of operating expenses.
Read the steps and use what applies to you. This is not prescriptive, but just suggestive.
Practical Steps Toward Re-Design of a Course of Study
When you change one part of the educational formula, other parts are affected. Think of your course as existing within an educational "ecology." Don't think just of the course, but of all the other elements, support, logistics, scheduling, evaluation and so on, that may be affected by your changes. An ecology is a system; changes in one part of the system affect other parts, or may affect the whole. A system can become self-correcting. The ecology in which your course exists may or may not be self-correcting. As you consider change, you may want to consider how to factor adaptive mechanisms into the planning process.
Faculty members who are interested in significant use of information technology in their teaching could use these steps as a road map, a guide to issues that usually need to be addressed but which may be overlooked as invisible, given, or unexamined assumptions.
The statements are written without the usual qualifiers you find in academic discourse. We did this for the sake of brevity. In each case, take the statement as "it is our belief, based on our experience, that in most classes this is a useful guideline." Use what seems useful, ignore the rest.
Semester One: Discovering Your
Ecology
You've decided to start using computers in your teaching. It's the beginning of a
semester. The following steps are a guide to follow as you look at the elements within and
beyond your own department that in some way support or depend on or interact with your own
course. This is the ecology of your course. It is a system that has assumed traditional
materials and a traditional knowledge-creation process and thus will be affected by your
change to new materials and a new knowledge-creation process.
Research to do before you actually attempt to use computers in your classes:
Assess Your Situation
Assess Your Own Syllabus
Research Your Technology Options
Prepare for Your First Pilot Class
Before signing up to teach your first computer-intensive course--and do this early enough to negotiate possible changes in registration and scheduling procedures--check to see if the lab you'll use has enough computers for the standard number of students in your course; if not, ask if your enrollment can be limited to the number of computers in the lab.
Find out if computer-intensive courses are listed as such in pre-registration postings on campus. In other words, will students know they are signing up for a computer-intensive course?
Make sure you do these two things before committing to the course. For the items that follow lead time is also crucial--try to take care of them early in the semester before the start of the pilot semester.
These tasks can be attended to after you've taken care of basic registration and scheduling arrangements:
Rules of Thumb
If there are not enough computers in the lab for each student to have their own, try having some or all of your students sit two to a computer.
Students who assure you on the first day of class that they can't get onto the campus computer system will usually find a way if you require their participation.
On the day when you have the most elaborate plan for using the lab, the system will not work (this is not meant to be funny). Always have a "Plan B." This is not meant to be funny, either. Plan B is usually more fun, anyway.
Semester Two: Your First Solo Flight
This is your pilot semester. These are some steps or considerations you might look at during your actual plunge into using computers:
Remember that useful human interaction occurs around technology as well as through it--failure of the technology can be an opportunity for good discussion.
Plan activities with time limits and goals.
Bring with you to the lab printouts of directions for the students as it is often hard to communicate in a computer lab.
Arrive 15 minutes early at the lab to make sure everything is running.
Time goes much faster in a lab--you will not be able to "cover" as much as in a regular classroom.
Unless your lab is set up with meeting space somewhere in the lab so students can physically leave or turn away from their computers, oral lecture and discussion is hard to sustain for more than a few minutes.
Students can learn from each other,
"Play" has always been a part of learning,
You have no more "underlife" in a lab than in a regular classroom(it's just more visible, and
All the activity doesn't mean you've lost control just that more, or a different kind of, learning may be taking place.
But do stay in charge. That often means being louder and more commanding than ever: a computer lab is not the place for subtle suggestions but for explicit orders.
Don't tell, show!
Improvisational Drama: A drama of issues. Students create characters that play out "positions" in an issue (like being a jury member in the OJ trial, for example). Students extend on characters in fictional or dramatic literature: they "talk" on the network like the characters but are not limited to the words in the book.
Critique: Instead of explaining, consider engaging your students in a critique. Write short paragraphs that act as "mini-essays" on whatever subject you're working on in your course: respond rapidly to the whole class as they "publish" their paragraphs on the network.
Devil's Advocates: Set up "devil's advocates" teams. One student critiques the ideas or approaches of another on the network (communicating in writing) Do peer critiquing line-by-line: students may not be able to intelligently critique a whole work but they can serve as a "test reader" for their peers, reacting to a paper line-by-line.
Writing On-line: Create situations in which your students can write to live interlocutors. It's cognitively easier than writing on paper to an imagined, invented, and artificial audience. Your students may start to think they're good writers. They will be surprised at how easy it seems to write on the network and may get the idea their writing is improving.
Instead of analyzing, explore. Instead of teaching, play. Instead of whole class, create teams. Let them believe (this is most appropriate in regarding writing, but if can be applied to many fields). Think of your pilot semester as an experiment in the following concepts:
Let them Do the Work, Not You!, or
Let the Energies LOOSE, or
How to Stop Worrying About Teaching and Start Having Fun
Join the slightly-reticent, crookedly-smiling, doubt-entertaining, not-sure-if-this-is-a-good-thing cadre of ex-sages-on-the-stage who are not quite convinced this guide-on-the-side thing is a totally good thing. Then, let your students run with their new confidence that they are better writers (in whatever field) than either they or you thought. Keep them for a whole year if you can (it's easier to see changes in their learning style over a year than over one semester). Encourage on-line pseudonyms (identity, persona work). Let them get to know their new persona, this being who can write, this being who is created through writing. You're in a brave new rhetorical world--the energies of a democracy of learning are running free.
A Sample Sequence For Composing A Standard Academic Essay
|
|
|---|---|
| Day One | On the network--discovery of topic,
whole group, or two groups, teacher participating, brainstorming model using groupware on
the network. The goal is to agree on one topic for everyone. Follow this sequence: brainstorming, idea organizing, prioritizing, voting. Send them out on the Web for homework. Gather information about the chosen topic. |
| Day Two | Small groups, minimum 6 students per group, develop idea further. "Visit" groups as they work via the network. Make available to students printouts of group written discussion. |
| Day Three | Students bring in two copies of rough
draft (or use commenting software). Divide into pairs. On the network, sitting side-by-side, engage in "as-you-read" response method of critiquing. Use printouts or commenting software for reading drafts; use network discussion tool or commenting software for critiquing. |
| Day Four | Final draft due. |
Adopt varying personae yourself through email and conferencing: become a real person with your students by expanding the communication paths and allowing yourself to be less the authority figure and more the coach Through campus email and conferencing keep class "open" 24 hours a day. Your own participation is not so overwhelming when you are merely one line on the screen. Allow students to learn from and get to know each other. Consider new theories about how groups interact:
Hive Mind-- The idea that knowledge, like the work of bees in a hive, is socially constructed,
Multi-Vocality-- The idea that each person has multiple voices; that there are multiple voices in each group--hypertext and networked writing environments create excellent opportunities for examining how these voices reinforce, influence, contradict, and mitigate each other,
Hypertext & Networked Classrooms-- The idea that computer writing is a hybrid of writing and speaking, creating new writing dimensions that have their own attendant literacies. The networked classroom is a post-modern garden.
The portfolio approach is the most natural to the computer classroom.
On-line and face-to-face. Do both. Do what you do best. The teacher is always the critical factor, not the technology.
Remember that we call this program "STEPs" because "LEAPS" usually don't work.
Semester Three: What Went
Right?
After you've survived the first pilot semester, which, whether it's good or bad, you will
always remember, spend a semester assessing what happened during that semester:
SemesterFour: The Second Attempt
Now that you have some data that is not just from the first semester, re-examine your
approach, and look for areas to expand. When you get back in the lab:
Try to get something in writing from your chair or dean supporting your attempts at innovation. This is your effort on behalf of the institution, not merely your personal whim.
Semester Five: Telling the
World
This is when you may begin to wonder if all the extra work is worth it. Or it's when you
decide you can help others with their own switch to a computer-intensive teaching
environment. Analyze your second attempt: What were you able to repeat and still find
useful during either semester?
Facing the Moment of Doubt:
Face your doubts and build (instead of feed) on them
Remind yourself that using a technology is intrinsically different than paper and print
means and that your teaching, and the students' learning, will continue to change.
You will have more opportunities to experiment with computers: they will not go away, nor will change cease. As a teacher, computers will figure in your career for all the remaining years. Think of ways that you might use your classroom experiences and documentation in articles and conference presentations. Write about your findings over the past 2 years. Look to help others in your department with their own process of change.
Take a deep breath and forge on.
Combining the Inductive Process of STEPs with a
Deductive Process
On the following page is a chart that presents one view of the epistemological changes
that are occurring as information technologies pervade our society. The inductive approach
of the STEPs needs to be combined with a deductive analysis in order to make the
transition to new teaching/learning paradigms as informed as possible.
Print Tendency |
Digital Tendency |
New Consciousness |
|
|---|---|---|---|
| Dimension | Thesis | Antithesis | Synthesis |
| Primary
Construct |
Path (linearity) | Field (recursiveness) | New kinds of coherence & ways of seeing coherence |
| Derivative
Construct |
Product consciousness | Product consciousness | Products considered less definitive, more tentative |
| Thinking | Structural, linear (logical) thinking favored. Univocalism | Linearity partnered with associational. Many voices tolerated or encouraged. | Visual representation of knowledge appears in more and more texts. More kinds of thought processes involved in generating statements or decisions |
| Knowledge | Knowledge product disconnected from process that generated it | Knowledge product more obviously embedded in the process that generated it | Social construction of knowledge more apparent |
| Teaching | Modeling structuralism, solutions | More views of knowledge-in-process available | Broader array of thinking skills accessible for modeling |
| Collaboration | Univocalism, inaccessibility of process, linearity, collaboration can seem irrelevant | Many voices coordinated; distance less a barrier, multi-vocality | Genesis of solo statement more obviously tied to social process |
| Rhetoric | Logical is equated with truth; linearity of inquiry leads inevitably to the necessity for an end, a conclusion, a decision, closure | Re-emergent orality; knowledge development within conversation; conversations exist in a field of many voices; closure not a necessary feature | New discourse forms result in alternate conceptions of coherence |
| Classroom | Despite efforts to emphasize collaboration, the processes of knowledge generation, and a de-centered classroom, current technology leads against these efforts. Seat time is measure of learning. Seat time is constant, learning varies | Despite efforts to retain authority, to keep the classroom centered on the teacher, to model a knowledge product, the new technologies lead against these efforts | Students learn from many sources which teacher orchestrates. Learning is measured by alternate means such as proficiency interview or portfolio; seat time varies, learning is constant |
| Publication
& Authority |
Gatekeepers limit publication to few; print publication takes on sense of authority; a print publication sine qua non to achieve authority | Print publications and digital publications interdependent; authority to publish gained by publishing | Print publications one option; facilitating an ongoing Internet may be another road to authority; consensus building may be as critical a skill as developing a logical argument |
| Disciplinary
Organization |
Disciplines determined by research paradigm | Means of research in flux; disciplinary boundaries blurring; easier access to knowledge sources in other fields | Horizontal collaboration may become more the norm than in print age |
| Faculty
Roles & Rewards |
Faculty plan events based on "seat time" for students | Meaningful interaction occurring outside class time | Focus on learning; seat time only one factor in learning spectrum |
| Research | Stable constellation of authorities, information sources, and paradigm | Authority achieved through disciplinary forms based on the Internet and digital publishing; new sources of information accessible; polling easier | Research more broadly based, both horizontally and vertically |
This page last modified on October 1, 1999
(c)1996,1999 The Epiphany Project